Tag Archives: cosmogony

Interfaith Report Blurbs

25 Jul

BeMused by Design Graphic Collection 2010©

We are all so interdependent today, we cannot escape the consequences of others actions. And interdependence is a law of nature, not of individuality.

We are all made of star dust. We are all fashioned from the same substance. We are not so separated or so individual as we once thought.

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Balance

28 Jun

The following excerpt from Alan Schneider’s book Doors in Disguise builds on his discussion of the Creation Diagram. This diagram, shown on the left of the page, includes the seven major chakras and the triad, diad, and monad. In this excerpt, he relates this diagram with conscious existence.

Balance

Alan Schneider

One of the interesting characteristics which can be noted about the symbols on the Creation Diagram is the fact that they all display what the biological sciences refer to as radial symmetry, that is, they all are uniformly constructed around a central point. And the symbols of the Diagram can be said to be harmonically balanced around a common axis. In theory, a radially symmetrical element can be rotated around the central symmetrical axis up to the rate at which the material of which it is composed can no longer remain intact against the resultant centrifugal forces as these increase with that rate. At this point of transition, the element fragments, usually by exploding apart.

The symbols of the Creation Diagram are ideal forms and therefore are not subject to physical destruction. Their “rate of rotation” is shown as “zero” in order to clearly reveal their esoteric form to the Seeker. But in the manifest condition of dense form in the physical plane of expression, all of the symbols are always acting in rotation. This movement is the vibration of consciousness which we experience as the world. Consciousness can be characterized as an interactive vibration of complex physical, spiritual, and mental forms. This is directly related to the combined rates and direction of rotation of the Creation Symbols. When we observe any phenomenon, whether simple or complex, we are always “registering” a global recognition of that phenomenon’s composite vibration, which is composed of the interaction of all the rates and directions of rotation of all of the Creation Symbols which are active in the phenomenon’s consciousness expression. We may or may not be aware of this perception, but it is nonetheless occurring, and the Seeker can make great progress by focusing on the world of events in this way. Additionally, I feel constrained to mention here again that everything is a form of consciousness originating in the Tetragrammaton, even a common pebble, a speck of dust, or an atom.

“We are all free to live in illusion, and we are all free to Seek the Truth.”

Bedside Lava Lamp

20 Jun

I found my old lava lamp a few weeks ago. The fire-lit blue plasma ‘lava’ bubbles warp shape and gnash forms inside a cone, filled with clear malleable water/air like substance . The clear substance captures my intrigue: similar to describing water in a fishbowl, what the filler fluid is by description is elucidated by what the bubbles are not. The clear fluid lacks corporeal form, and put positively, is the present absence of the capricious lava as it heats and cools.

My thoughts cast a net before my feet, and if I cannot bring myself in the teetering moment of hubris to regain humility, I trip in my own trap. Falling is a torpedo, a whirlpool, a black hole astray from the light, and into the darkness. It is a pattern, this type of descent. Slipping is often set off through the making of  a mistake: not for the first time, but for the nth time. Before the fall, the sway precedes the slip. The sway is where I lose a sense of I, and I am taken over despite myself, to spite myself. To flirt with temptation and sway towards the pattern is to set oneself up for a fight, for the pull of temptation towards that trigger, is a vice hungry for a device, and that grip is waiting with white knuckles and the forces of gravity and magnets.

Conversely, I have found that in the moments or flow of moments in which I am living my passion, I am participating in something greater. To practice one’s passion is to participate and honor universal compassion.  This experience is the antithesis of vice finding device. A perfect pair, the hand fits into the glove snug as snug is, and the experience of touch and to be touched is muted and diluted just the same. The virtue of compassion and the vice of device are similar in that they can be defined against one another: a binary opposition,  like the white fluid around the blue lava bubbles ascending and descending inside of the lamp.

Sometimes when I cannot sleep I watch the shadow play on my ceiling cast by the lava lamp beside me. It is astonishing how remarkably similar the lava shadows are to the caprice of free willed hands, not moving with grace and fluent rhythm, but rather, spastic and sporadic motion and agile jutting with and against the nature of its own movement, as if the shadows have intent or purpose unfolding in their dance.

Strangely, to watch the lava itself, rather than the shadows, makes me feel quite uneasy. As if I am seeing something that I should not be seeing. As if I walked in on a secret and instead of closing the door and moving along with a fleeting apology, I let my curiosity and fascination with that quixotic sensation get the best of me and I lay and stare with full moon eyes.

Noteworthy Add-on:

Digital signals are imprinted with a picture of their destination from the beginning of their journey towards their end. Carl Jung had the good fortune of opening his first private practice in part due to the word of mouth rumor of Jung’s wizardry, spread by a mentally ill local patient. He could not have known his life would lead the path it did, and the improvisational set his life apart from many others. Am I an analogue girl in a digital world?

Machanics

8 Jun

  • Free will: intention, intensity and purpose from within  accelerates mass into energy that propels gears; in essence, we put ourselves in motion, intentionally.

  • Predetermination: We are moving from forces within and beyond ourselves, accelerated or weighed down by gravity of emotions or environmental circumstance from electromagnetic jolts or pulls. In this way, we move in the rhythm of a schema and script unconsciously. Our bodies are battery like packets of energy, positive and negative and perhaps love guides us to find the opposite charged half that balances the capsule we were born into.

BeMused Design, Man or Machine

I have a big heart and a broken keyboard.

29 May

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Photo Ring

28 May

Banana Flash- Widgets – PhotoRing.

Finding Phi

23 May

A Synthesis of Research and Reading:

kheper-i kheper kheperu kheper-kuy m kheperu n Khepri kheper m sep tepy…

“[when] I became, the becoming became, I have become the becoming [the form] of Khepri who came into being on the First Time…

…when I became, the transformations became, all the metamorphoses coming to pass after I had become.”

-translated Lucy Lamy, Egyptian Mysteries, p.14

  • In hieroglyphic writing kheperrepresents not only the sacred scarab “but also all the metamorphoses or transformations of which it is the symbol, as wll as the idea of becoming, in general. The word kheperthus means “to become” in all possible verbal forms, while Khepriis the entity embodied in the sun as it rises in the morning, when darkness becomes light.” Lucy Lamy, Egyptian Mysteries, p.14 (Art and Imagination series, Thames and Hudson, 1981)

When all is said and done, the final Synthesis for this particular universe in general (and for this website in particular) is one of love.

Unconditional, Unlimited, Universally-Connected Love.

The Tree of Life

Diagram by Brad Reynolds, from Ken Wilber, A Brief History of Everything, (Shambhala: Boston), 1996.

Here we have a basic spiritual cosmology consisting of physical reality; intermediate or psychic reality; spiritual and Divine reality; and Absolute Reality or Godhead or Source. (see also the Three Tier Model, which is identical to the above except that it does not include Spirit/Infinite as a sperate hypostasis). As Professor Smith points out, each of these levels of reality can be studied separately:

“The marvels of the terrestrial plane are being unveiled at an astonishing rate by the physical sciences. The intermediate realm adds life and consciousness: biology helps to understand the former, and for light on the latter we turn to the durable findings of phenomenology, depth psychology, and parapsychology, as well as aspects of shamanism and folk religion. The theologies of the great traditions describe God’s knowable nature (the celestial plane) from a variety of cultural angles, and the literature of mysticism carries the mind as far as it can journey into God’s absolute and infinite depths” [ Beyond the Post-Modern Mind, p.45].

In this all-embracing gradational metaphysic, we have a way of looking at the world totally different to the conventional Materialistic or Dualistic stance. Borrowing a popular Theosophical term, I use the word “Esoteric” to indicate this alternative way of perceiving things.

Electric Dawn Births Black Hole

21 May

Double Everything

Electric Dawn

Black Hole

Weird Fishes

Swish Twang

Ancient Wisdom in Four Mantras

17 May

Extracted from Don Miguel Ruiz's The Four Agreements, a Toltec wisdom guide that heavily influences my lifestyle and perception.

Gayatri Mahamantra

16 May

“OM BHUR BHUVA SVAHA
TAT SAVITUR VARENYAM
BHARGO DEVASYA DHEEMAHI
DHI YO YONAH PRACHODAYAT”


Besheret*Universal Flowering, Multiplied and Exposed

12 May

Multiple Exposure of Besheret (BeMused graphic design with LiveBrush and Picasa)and Heads by Pavel Filonov. Together, Space, Soul, Universal Flowering.

Egg

11 May

Easter Egg & Egg Creation Myths, Newall

Egg Decorated with Hutzul Ribbon

Homeric Cosmogeny

The first recorded reference to a world egg occurs in an Egyptian papyrus of the New Kingdom Petosiris:

0 Egg of the water, source of the earth, product of the Eight, great in heaven and great, in the underworld, dweller in the thicket, chief of the Isle of the Lake of the Two Knives, I came forth with thee from the water; I came forth with thee from thy rest.

Egyptologists have not decided to whom this text refers. Probably it is Thoth, the god of the moon, who appeared in the form of an ibis, and who is described variously in different legends both as having hatched the world egg at Hermopolis, and as having emerged from the egg himself . Petosiris, the priest of Hermopolis, records that:

Part of the Egg was buried in this place, and here were found all beings who came forth from the Egg.

Various Egyptian deities are associated with the egg. An allusion to the Sun God Rah reads:

0 Rah in his egg, who beams in his disk, rises above his horizon, shapes himself with his own metalmgT he sun itself is “The solar eye, an egg to which is given life among them.”

Elsewhere we find:

It was made against those of your retinue, on account of the wish of the spirits that are there, for not letting the breaths be inhaled except by the Great and August God who is in his egg. I come to thee and I am at thy service.

This ancient idea of a primeval egg which hatched the sun god occurs frequently; the sun myth took various forms in Egyptian thought. In one representation the sun is an egg, laid daily by the celestial goose Seb, the god of the earth. From this egg was born the Phoenix, symbol of the sun.12 Thus, in The Book of the Dead, the deceased says:

Hail, thou god Tem, grant unto me the sweet breath which dwelleth in thy nostrils. I am the Egg which is in the Great Cackler, and I watch and guard that mighty thing which hath come into being, wherewith the god Seb hath opened the earth.

Khnum, a god of creation, whose name signifies “The Moulder,” formed the world egg, as though from a lump of clay on his potter’s wheel. In ancient drawings we also find Ptah of Memphis seated on his throne. The Chandogya Upanishad describes the original act of creation as the breaking of an egg in two pieces : The Sun is Brahma-this is the teaching. A further explanation thereof (is as follows).

In the beginning this world was merely non-being. It was existent. It developed. It turned into an egg. It lay for the period of a year. It was split asunder. One of the two egg-shell parts became silver, one gold. That which was of silver is this earth. That which was of gold is the sky . . . Now what was born therefrom is yonder sun. When it was born shouts and hurrahs; all beings and all desires rose up toward it . . . He who, knowing it thus, reverences the sun ashrahma.

In Hindu mythology hirazyagmbha, the golden world egg, appears in a bewildering variety of forms, according to different traditions:

The restless, darting fish, at fall of evening,

Seeks where he may his refuge in the waters,

His nest the egg-born seeks, their stall the cattle;

Each in his place, the god divides the creatures.

These lines refer to the sun. The Rig Veda describes eight sky divinities. One of these, the Aditya Surya, was born from an egg: Eight sons there are of Aditi, Who from her body were produced. With seven she approached the gods. But the egg-born she cast away. Surya driving his chariot, drawn by red horses, across the sky each day represents the sun god, like Apollo in the Greek pantheon.

Again in the Rig Veda Prajapati, the original male, fertilizes the primeval waters, the original female, transforming them into the golden egg. Inside sits Brahma, the Golden Person, where he remains for a thousand years, floating in the waters of creation, his miraculous power shining through the seven shells of the egg, infusing it with a golden radiance. Within the egg with Brahma are the continents, oceans, mountains, planets, divisions of the universe, gods, demons, and humanity. According to the Lazus of Mana Brahma, the original substance, propagated himself:

He, having willed to produce various beings from his own divine substance, first with a thought created the waters, and placed in them a productive seed. The seed became an egg bright as gold, blazing like the luminary with a thousand beams; and in that egg he was born himself in the form of Brahma, the great forefather of all spirits . . . In that egg the great power sat inactive a whole year of the Creator, at the close of which, by his thought alone, he caused the egg to divide itself. And from its two divisions he framed the heaven above and the earth beneath. In the midst he placed the subtil ether, the eight regions, and the permanent receptacle of waters.

Aristophanes in The Birds writes:

There was Chaos at first, and Darkness, and Night,

And Tartarus vasty and dismal;

But the Earth was not there, nor the Sky, nor the Air,

Till at length in the bosom abysmal

Of Darkness an egg, from the whirlwind conceived,

Was laid by the sable plumed Night.

And out of-that egg, as the seasons revolved,

Sprang Love, the entrancing, the bright,

Love brilliant and bold with his pinions of gold,

Like a whirlwind, refulgent and sparkling.

It’s Only Fear (That Keeps You Locked in Here)

11 May

INSIGHT. Noun

  • S: (n) penetration, insight (clear or deep perception of a situation)
  • S: (n) insight, perceptiveness, perceptivity (a feeling of understanding)
  • S: (n) insight, brainstorm, brainwave (the clear (and often sudden) understanding of a complex situation)
  • S: (n) insight, sixth sense (grasping the inner nature of things intuitively)

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Language Liquidation

9 May

In his novel Notes from the Underground, Dostoevsky creates a landscape in space free from attachment to time and tenses. The unique time horizon in Underground allows for a natural flow and discussion of ideas that need not be in a a logical sequences of cause and consequential effect. I wonder if escaping from a world with a linear time horizon is in fact a way outside of the world of intentions, enabling a discussion of intention without defining it by itself. 

Chasing the tail of lingering curiosity, I want to continue my engagement in a philosophical discourse with infinite room to discuss all that is the sublime and the beautiful. The dissonance between what I mean and what I say, and what I say and what I mean, is open air for error and I hope to tighten and eventually achieve a bound entity within (from between) them. This process must be slow or it is not meaningful….Where I stand today, I am befuddled by words.

Clumsily, I continue to grasp at thin air hoping to pull what I mean out of the vapid, vacuous knowledge of how I have known its verbalization. To start, I would like to clarify the self-depreicating connotations in ‘clumsy’; the nature of clumsy here is not the effect of carelessness, but rather, courage to cultivate and initiate a journey towards seeking. As is the case with most processes, what is not shaky will inevitably become increasingly strong footed and confident.  Moreover,  words themselves already are prone to wobble, in part because they no longer have the connotations and denotations that rests in their etymological origins.

Through liquidating language, an intentional sublimation of words as I know them today , in their solid, crystalised forms, I can come closer to knowing the sublime and the beautiful. An ideological improvization:

On The World of Art: “…It was, as Benois himself admitted, ‘not this, that or the other in isolation, but everything together.'”

Crepuscular |krəˈpəskyələr|

adjective
of, resembling, or relating to twilight.

  • Zoology (of an animal) appearing or active in twilight.
  • ORIGIN mid 17th cent.: from Latin crepusculum ‘twilight’ + -ar 1 .
  • Crepuscular is a term used to describe some animals that are primarily active during twilight, that is at dawn and at dusk.[1] The word is derived from the Latin word crepusculum, meaning “twilight.”[1] Crepuscular is thus in contrast with diurnal and nocturnal behavior. Crepuscular animals may also be active on a bright moonlit night. Many animals that are casually described as nocturnal are in fact crepuscular.[2] Within the definition of crepuscular are the terms matutinal (or “matinal”) and vespertine, denoting species active in the dawn and dusk respectively.
  • The crepuscular mood of Russia’s fin de siecle  is reflected more powerfully than in Chagall’s Mirror of 1915, one of the most trenchant works of his Russian years.

trenchant |ˈtren ch ənt|
adjective

  • 1 vigorous or incisive in expression or style : she heard angry voices, not loud, yet certainly trenchant.
  • 2 archaic or poetic/literary (of a weapon or tool) having a sharp edge : a trenchant blade.
  • DERIVATIVES
  • trenchancy |- ch ənsē| |ˈtrɛntʃənsi| noun ( in sense 1) .
  • trenchantly |ˈtrɛntʃəntli| adverb ( in sense 1) .
  • ORIGIN Middle English (sense 2) : from Old French, literally ‘cutting,’ present participle of trenchier (see trench ).
woman
noun
  • ORIGIN Old English wīfmon, -man (see wife , man ), a formation peculiar to English, the ancient word being wife .
  • 1 a woman got out of the car lady, girl, female; matron; Scottish lass, lassie; informal chick, girlie, sister, dame, broad, gal; grrrl; literary maid, maiden, damsel; archaic wench, gentlewoman; (women) womenfolk
  • 2 he found himself a new woman girlfriend, sweetheart, partner, significant other, inamorata, lover, mistress; fiancée; wife, spouse; informal missus, better half, main squeeze, squeeze, babe, baby; dated lady friend, lady love.

Serpentine: serpentine   (sûr’pən-tēn’, -tīn’)

  • Any of a group of greenish, brownish, or yellowish monoclinic minerals, occurring in igneous or metamorphic rocks. They are used as a source of magnesium and asbestos. Chemical formula: (Mg,Fe)3Si2O5(OH)4.
  • ser·pen·tine   (sûr’pən-tēn’, -tīn’)    adj.  Of or resembling a serpent, as in form or movement; sinuous. Subtly sly and tempting.n.   (-tēn’) Any of a group of greenish, brownish, or spotted minerals, Mg3Si2O5(OH)4, used as a source of magnesium and asbestos, and in architecture as a decorative stone.[Middle English, from Old French serpentin, from Late Latin serpentīnus, from Latin serpēns, serpent-, serpent; see serpent.]

sin·u·ous  (sny-s) adj.

  • Characterized by many curves or turns; winding: a sinuous stream. Characterized by supple and lithe movements: the sinuous grace of a dancer. Not direct; devious. Sinuate: a sinuous leaf.[From Latin sinusus, from sinus, curve.]
  • sinuous [ˈsɪnjʊəs] adj; full of turns or curves; intricate; devious; not straightforward ; supple; lithe Also sinuate
  • [from Latin sinuōsus winding, from sinus a curve]Prodigal, pushing moral and esthetical boundaries, prodigal,  curvy, founded in nature,
  • International, interdisciplinary effecting ballet, art, thought etc

The Hypostases

7 May

The Neoplatonic hypostases in relation to other esoteric systems of thought:

This diagram shows Consciousness in terms of progressive gradations of subtle worlds and aspects/substrates (of Physical, Emotional, and Mental), as well as increasing Transformation and Transcendence

The Spiral Dance – Special 20th Anniversary Edition A Rebirth of the Ancient Religion of the Goddess, by Starhawk — extended excerpt

CHAPTER 1

Between the Worlds

The moon is full. We meet on a hilltop that looks out over the bay. Below us, lights spread out like a field of jewels, and faraway skyscrapers pierce the swirling fog like the spires of fairytale towers. The night is enchanted,

Our candles have been blown out, and our makeshift altar cannot stand up under the force of the wind, as it sings through the branches of tall eucalyptus. We hold up our arms and let it hurl against our faces. We are exhilarated, hair and eyes streaming. The tools are unimportant; we have all we need to make magic: our bodies, our breath, our voices, each other.

The circle has been cast. The invocations begin:

All-dewy, sky-sailing pregnant moon,

Who shines for all.

Who flows through all…

Aradia, Diana, Cybele, Mah…

Sailor of the last sea,

Guardian of the gate,

Ever-dying, ever-living radiance…

Dionysus, Osiris, Pan, Arthur, Hu…

The moon clears the treetops and shines on the circle. We huddle closer for warmth. A woman moves into the center of the circle. We begin to chant her name:

“Diana…”

“Dee-ah-nah…”

“Aaaah…”

The chant builds, spiraling upward. Voices merge into one endlessly modulated harmony. The circle is enveloped in a cone of light.

Then, in a breath — silence.

“You are Goddess,” we say to Diane, and kiss her as she steps back into the outer ring. She is smiling.

She remembers who she is.

One by one, we will step into the center of the circle. We will hear our names chanted, feel the cone rise around us. We will receive the gift, and remember:

“I am Goddess. You are God, Goddess. All that lives, breathes, loves, sings in the unending harmony of being is divine. “

In the circle, we will take hands and dance under the moon.

“To disbelieve in witchcraft is the greatest of all heresies.” Malleus Maleficarum (1486)

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